Tag Archives: Ted Nash

“FAMOUS JAZZ ARTIST SERIES” FEATURES NATIONAL AND CALIFORNIA CENTRAL COAST MUSIC TREASURES

2 Jan
Back: Red Holloway, Ernie Watts, Jay Graydon Front: Charlie and Sandi

Back: Red Holloway, Ernie Watts, Jay Graydon
Front: Charlie and Sandi

The “Famous Jazz Artist Series” was started in 1991 in San Luis Obispo County after renowned jazz vibraphonist, Charlie Shoemake, and his acclaimed vocalist wife, Sandi, moved to Cambria and noticed a dearth of major jazz artists performing on the Central Coast. How Charlie and Sandi ended up on the Central Coast is a fascinating tale. Growing up in Houston, Charlie developed a passion for both music and baseball, excelling in both. He was on the high school’s city championship baseball team, and attracted the attention of the St. Louis Cardinals. Initially he planned to pursue both in college, but then decided to really excel, he would need to focus on only one. So in 1956 he moved to Los Angeles to become involved in the jazz scene. In a proud aside, Charlie mentioned his grandson is now being drafted by a professional baseball team.

The 1950s were an exciting and inspirational period in Charlie’s music career as he honed his craft. He shared that he was particularly influenced by his informal studies with pianist Jimmy Rowles, as well as learning from the innovations of his idols Charlie Parker and Bud Powell and other talented innovators. Charlie eventually worked on the biographical film on American saxophonist, Charlie Parker released in 1988. During the 1950s, he met his future wife Sandi at a Si Zentner rehearsal, where Charlie was substituting for an absent band member.

Sandi’s path to a music career was influenced by her father who was a semiprofessional drummer-vocalist with Dixieland bands. As far back as she can remember, she wanted to be singer. To that end, in 1956 she enrolled in the acclaimed Los Angeles City College’s music department where she quickly rose to being a featured vocalist. After her second year of college, she was hired as a vocalist by trombonist Si Zentner’s Orchestra, which played various venues on the west coast, and was a regular attraction at the Hollywood Palladium. Sandi shared that she had a chance meeting with Charlie at a Si Zentner rehearsal; within two days they decided they would eventually marry, which they did in 1959.

During his early professional career, Charlie became a sought-after accompanist for well-known vocalists. He adoringly shared he has always enjoyed accompanying Sandi, but he felt many of the singers he was accompanying were not of her caliber. Thus Charlie decided to switch his musical focus to vibraphone, which he had begun playing in high school. For a year, he spent nearly every waking hour in exhausting practice. His efforts were rewarded in 1966 when he became the vibraphonist for the fabled George Shearing Quintet. George Shearing is a piano jazz legend,  best known for his composition Lullaby of Birdland, a jazz standard. Born poor and blind in London, George’s father delivered coal to Buckingham Palace. In 2007 George was knighted by the Queen of England in Buckingham Palace for his contribution to music.

During the year Charlie was honing his skills on the vibraphone, Sandi did studio work to help keep the family afloat. While Charlie was touring with the George Shearing Quintet, she was a staff vocalist at N.B.C. from 1965 to 1971, in addition to singing with other television shows including The Andy Williams Show, The Jerry Lewis Show, The Red Skelton Show, The Lennon Sisters-Jimmy Durante Show and specials for Bing Crosby, Doris Day, Dean Martin and others. She was particularly proud of her time performing with Nelson Riddle and his orchestra.

Charlie working with Barry Harris on movie "Bird"

Charlie working with Barry Harris on movie “Bird”

In 1973, driven by a desire for change and to be home more with his wife and son, Charlie opened a jazz improvisational school in Los Angeles. In spite of the widely-held belief that jazz improvisation couldn’t be taught, his school was a success. He was the only teacher at his eponymous school. By 1990, he had taught over 1500 students, with many students going onto successful careers including Ted Nash (trumpeter with the Jazz at Lincoln Center Orchestra with Wynton Marsalis), Kye Palmer (trumpeter with the Tonight Show Orchestra and formerly with Woody Herman and Poncho Sanchez), Andy Martin (top jazz trombone recording artist), and smooth jazz artists Dave Koz and Richard Elliott. During a Jazz at Lincoln Center Orchestra (JLCO) at the Cal Poly Performing Arts Center in March 2013, Wynton Marsalis verbally recognized Charlie Shoemake, who was in attendance, as an important mentor and teacher to Ted Nash who was a featured soloist at the concert, and is the first person other than Wynton Marsalis to be a featured composer for the sensational orchestra. When asked about the recognition he received at the concert, Charlie stated, “I didn’t teach Ted Nash how to play, but what to play, how to improvise.”

Following the local JLCO performance, Ted was contacted by this writer for comments on his time studying with Charlie, and in spite of a busy performance schedule, he generously agreed. During the April 8, 2013 interview, Ted said he initially was trained classically on piano starting at age seven and clarinet at age 12. At age 13, Ted stated he started playing sax and was in the junior high jazz band. Ted’s high school jazz band director enthusiastically recommended studying with one of Charlie’s students. Ted’s father, (well-known jazz and studio trombonist, Dick Nash), decided that Ted should study jazz improvisation directly with Charlie. Charlie was very busy at the time bbut agreed to accept Ted as a student. Ted noted Charlie’s teaching method involved “memorizing transcribed music” from such jazz greats as Charlie Parker and Sonny Rollins. Ted stated that the 2 ½ to 3 years of studying with Charlie gave him a foundation that he still uses, even with “new improvisation and harmony.” When asked about his being the first composer for JLCO other than Wynton Marsalis, Ted replied that he was the first “featured” composer, although they had some prior visiting composers who had provided some arrangements. Ted noted that this Portrait in Seven Shades helped forge a new direction for JLCO. Although he did not mention it, Portrait in Seven Shades was a Grammy-nominated album representing seven different artists including Claude Monet, Salvador Dali, Henri Matisse, Pablo Picasso, Vincent Van Gogh, Marc Chagall, and Jackson Pollock. On the Shoemake’s website, Ted is quoted, “When I began lessons, I could hardly play. Three years later, not only could I play, but I was working professionally with many groups, including Lionel Hampton, Toshiko Akiyoshi, and even Charlie’s own quintet….Charlie was the ONLY teacher in Los Angeles with a method of teaching jazz improvisation that actually worked.”

In the early 1990s, Charlie closed his school and relocated with Sandi to what he described as “the beautiful little ocean village of Cambria” where they began bringing in major jazz artists. During their two Sunday show times, Charlie accompanies the guest artists by playing piano or vibes and Sandi graces the stage for select vocals. The series was held at the Hamlet Restaurant in Cambria (which is currently under renovation), and is presently appearing at D’Anbino Vineyard and Cellars in Paso Robles. A list of the stellar artists who have performed at the series and more interesting information on Charlie and Sandi can be found on their website http://talsanmusic.com

Sounds of Shearing Tribute Group: Joe Bagg, Ron Anthony, Charlie Shoemake, Luther Hughes, Colin Bailey

Sounds of Shearing tribute group: Joe Bagg, Ron Anthony, Charlie Shoemake, Luther Hughes, Colin Bailey Courtesy: Bob Barry

When asked to share a humorous or interesting experience, Charlie said that due to an unavoidable delay due to a national crisis, the George Shearing Orchestra didn’t actually perform on television until two days after they were scheduled. Sleep-deprived due to the schedule changes, when the band was called back for an encore, the bassist forgot to take off his sunglasses. During a second encore all of the band members sported sunglasses, along with George, who regularly wore them due to being blind. Charlie added that when the band would arrive late for a gig, George would humorously say it was because he was driving.

Last year, instructors from the music departments at local Cal Poly and Cuesta College, both of which have outstanding music programs, approached Charlie to work with some of their students. To that end, the non-profit Central Coast Jazz Institute was recently established, which is “dedicated to the instruction and preservation of American jazz music.” Charlie spoke passionately about how the donated funds provide scholarships for jazz instruction of private students of all ages, as well as a lecture series.

courtesy: www.slojournal.com

WORLD CLASS MUSIC IN LOCAL VENUE: D’ANBINO CELLARS

23 Jul
D'Anbino Winery Concert Venue

D’Anbino Winery Concert Venue

Listening to nationally- and internationally acclaimed musicians is always a soul-stirring experience. What many San Luis Obispo County residents and visitors don’t realize is that there are such regular music offerings featuring the rich, deep musical talent that is available on the Central Coast of California.

D’Anbino Vineyard and Cellars’ tasting room is arguably the premier local venue on the Central Coast for live music. The owners, John D’Andrea and Carmine Rubino, had many years of successful, award-winning careers in recording, film, and television before moving to the Paso Robles area. Growing up together in an Italian neighborhood in New Jersey as brothers (even though John is actually Carmine’s nephew), several years ago they purchased a vacation property in Paso Robles for their extended family to relax in what they described as the friendly, cozy small-town atmosphere, away from the workaday bustle of Los Angeles. The vineyard and tasting room were not originally part of their plans, but at the suggestion of their realtor they decided to grow grapes and make wine. They combined their last names to name their winery.

Carmine’s son, Michael (a composer), and his wife, Sharon conceptualized the tasting room theme, focusing on music and displaying the many memorabilia and awards the men had acquired in their careers. The tasting bar cleverly incorporates parts of real pianos.  The elevated stage with state of the art sound and acoustics was originally only intended for the “Family Band’s” occasional performances for special events.  Carmine related that when many people visited the tasting room they would inquire when the music was being performed and were disappointed when told that there were only occasional shows. In the meantime, John and Carmine started live performances in conjunction with a monthly Paso Robles wine and arts event.

As musicians became aware of the caliber of the tasting room’s music-friendly atmosphere, they began asking to play there even though they receive little remuneration. These include local, talented musicians with impressive performance resumes, but also touring and other nationally known musicians who like to perform in this friendly, and relaxed, yet intimate, tasting room. Enhancing the music experience at D’Anbino’s is Carmine’s wealth of experience as a sound engineer which he uses to actively mix the music as it is performed.

Carmine Rubino and John D'Andrea

Carmine Rubino and John D’Andrea

D’Anbino is presently hosting the Central Coast Famous Jazz Artist Series with renowned vibraphonist, Charlie Shoemake, formerly with the George Shearing Quintet. Charlie manages to book legendary jazz musicians to perform D’Anbino’s  intimate setting. During a performance in San Luis Obispo in March 2013, Wynton Marsalis, gave recognition to Charlie as mentor to the Jazz at Lincoln Center Orchestra’s saxophonist, Ted Nash.

D’Anbino features their reasonably-priced seven red and rose wines crafted by Carmine from their Syrah and Cabernet grapes. Some of the wines have musical names such as Orchestration and Quadraphonic. Carmine shared a story about the Quadraphonic wine name. While working in a New York music studio, Carmine was the sound engineer for the King Biscuit Flower Hour radio show, which he did in “quadraphonic sound.” John Lennon, who was recording at the same studio, asked Carmine if he could remix John’s music in quadraphonic sound. Thereafter, John referred to Carmine as the “Quadfather,” which was around the time the movie, The Godfather, had become popular. John (D’Andrea) also has a storied history, originally being recruited to California to be the next teen idol, along with Frankie Avalon and Fabian, but when the Beatles hit the scene, young people’s interests changed. Besides playing the sax, John is an acclaimed musical arranger, composer and director. Memorabilia from John’s and Carmine’s activities and awards are on display.

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Courtesy: www.slocoastjournal.com.